Native Tongue Music Publishing

Native Tongue Music Publishing
Native Tongue is an independent music publisher, with offices in Australia and New Zealand.
Besides acquiring rights to local writers, we also administer the works of overseas writers and catalogues for Australia and New Zealand.

Established in 2003, Native Tongue has built a respected catalogue of local writers. We set out to provide writers with a publishing company dedicated to assisting with the development of their skills as songwriters and composers throughout their careers.

Although we are a small company, we see this is one of our major advantages. It enables us to be far more proactive than our competitors and react quickly to the needs of our clients, whether they be film and television companies, commercial advertisers or the bands of which our writers are members.

We see our role as getting out there and getting things done, working with the band, the management, the record label and the distributor to make things happen.

Our job is to work with you to help you achieve your goals, as a songwriter and in many cases; an artist. We have a broad network of contacts we can utilise in all areas of the business – record companies, distributors, booking agents, promoters, publicists, radio, etc.

We will work with you, your management and record distributor to maximise sales of your record. You probably have most bases covered but there will always be something we can do to help squeeze those extra sales. It may be that we help a band get on a festival bill, provide advice on obtaining touring grants or come up with that song opportunity in a film that breaks through at the box office – who knows – it's an ephemeral business and its not always easy pinning down where things will come from.

If you are looking to place songs with other artists we have a worldwide network of contacts who work songs on that basis. If you want to co-write we will work with you to develop connections with writers you want to work with. If you want to compose film or television scores we are ideally placed to help you realise these ambitions.

We get out there and do the hard yards wherever it is required.

We have over the years developed publishing relationships internationally and through our music supervision business have come to know those companies who work particularly hard gaining sync licenses and pursuing the ancillary income that is available around the world. We have also established a network of international sub-publishers to administer our works around the world. In each case our sub-publishers are established independents with a long term track record of working within their own territory.

Native Tongue also enjoys strong relationships with all the major US, UK, Canadian and European music supervisors and can submit clients works for use in a wide range of projects around the world.

We are also one of the only publishers with offices and staff on the ground in Australia and New Zealand enabling us to fully represent your copyrights in the key markets in our home territory.

Native Tongue is closely associated with Mana Music which is the major music supervisor for feature films, television series, and documentaries in Australia and New Zealand. As a result Native Tongue is in a strong position to place its writer's songs in the wide range of projects.

A similar situation applies in respect to television commercials where once again Mana Music is the major provider of licensing services to the advertising agencies.

CONTACT DETAILS

Australia
+61 3 9445 0500

PO Box 1570
Collingwood, VIC 3066
Australia

Chris Gough - Managing Director
chris@nativetongue.com.au

Matt Tanner - A&R / Creative Manager
matt@nativetongue.com.au

David Nash - Copyright & Royalties Manager
david@nativetongue.com.au

Kate Mills - Licensing & Admin Assistant
kate@nativetongue.com.au

New Zealand
+64 9 378 9667

Po Box 8926
Symonds Street, Auckland 1150
New Zealand

Jan Hellriegel - General Manager
jan@nativetongue.co.nz


United Kingdom

Jaime Gough - International Manager
jaime@nativetongue.com.au
David Kilgour

David Kilgour

David Kilgour is a guitar god for guitar atheists. He’s worthy of worship, but his style neither demands nor expects it, all of which only serves to increase his otherworldly cool. Anybody who’s seen the man play live—whether with Kiwi-pop legends the Clean, the Heavy Eights, or on his own—knows full well that the instrument is an extension of his body, something he was born to have in his hands. But while some of the greats display their powers by strangling all they can out of one note or furiously attacking the strings, Kilgour has a more understated grace. He lets the guitar breathe. They’re in it together. He doesn’t make the guitar do anything; the guitar gladly does whatever he asks of it. Left by Soft, his first album in four years with the Heavy Eights, comes on the heels of the Clean’s excellent 2009 outing, Mister Pop. You could say it’s all part of a late-career renaissance, but that implies there’s been some sort of valley in his 30 years of making music. This time, there are more of the elegantly chiming chords and beautifully drifting solos, all presented with Kilgour’s sparkling pop sensibilities.

Left by Soft was recorded in the Catlins, about two hours south of Dunedin, New Zealand, in an old lodge surrounded by native bush, birds, and the sea. David spent about a week down there with the Heavy Eights. Thomas Bell engineered and produced but also played bass AND cooked the band awesome meals every night. After chilling out most mornings, the band would start recording mid afternoon into the night. Apart from a couple of overblown tracks, they kept overdubs to a minimum and when mixing left most takes as is—no cleaning up via Pro Tools editing, etc. “So to me, it sounds like the band on a good night, warts and all,” says Kilgour. “It’s probably the first real “band” LP I’ve made since Frozen Orange or the David Kilgour and the Heavy 8’s LP from the mid ’90s.”The Heavy 8’s are Taane Tokona on drums, Tony de Raad on guitar and keyboards, and Thomas Bell on bass and keyboards. David plays guitar, keyboards, and harmonica. Mike McCloud from Shifting Sands guests on “I’ll Climb Back Up That Hill.”

David Kilgour & The Heavy Eights “Left By Soft” is out on Arch Hill Recordings on Vinyl, CD, digital on 25th of April 2011. Vinyl is limited to 200 copies and cover art has been individually done by David Kilgour himself.